R
RCA Jacks: Receptacles for coaxial cables carrying line-level audio signals. Also called phono-type connectors.

Re-EQ: Short for Re-equalization. A feature found on THX-certified receivers. Movie soundtracks are mixed for theaters or far-field monitors with an expected high-frequency roll-off otherwise known as an X-curve. If these soundtracks are not re-mixed for home use, they will sound too bright when played back through home speakers or near-field monitors. Re-EQ inserts an X-curve response into the signal to compensate for this, which takes out some of the soundtrack's excess edginess or brightness.

Rear-Projection Television: Display that projects an image on the backside of a screen material, usually after having been reflected off of a mirror.

Receiver: Any component that receives, or tunes, broadcast signals, be it NTSC, HDTV, DBS, or AM/FM radio. Typically refers to the single component that includes a preamp, surround processor, multichannel amplifier, and AM/FM tuner.

Resonant Frequency: The frequency at which any system vibrates naturally when excited by a stimulus. A tuning fork, for example, resonates at a specific frequency when struck.

Reverberation: The reflections of sound within a closed space.

Reverberation Time: The amount of time it takes the reverberation to decay 60 dB from the level of the original sound.

RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television's tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal.

RGB: Red, Green, Blue. Can refer to an unprocessed video signal or the color points of a display device. Together these three colors make up every color seen on a display device.

Ribbon Speaker: A loudspeaker that consists of a thin, corrugated, metallic ribbon suspended in a magnetic field. The ribbon acts electrically like a low-impedance voice coil and mechanically as a diaphragm.

RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square's set of values. A reasonably accurate method of describing an amplifier's power output.

RPTV: Rear-Projection Television

S
SACD: Super Audio CD. Enhanced audio format with up to six channels of high-resolution audio encoded using DSD. Requires an SACD player. Multichannel also requires a controller with six-channel analog or proprietary digital inputs for full playback.

Sampling Frequency: How often a digital sample is taken of an analog wave. The more samples taken, the more accurate the recording will be. You need to sample at a minimum of twice the highest frequency you want to capture. For example, the 44.1-kilohertz sampling rate of a CD cannot record sounds higher than 22.05 kilohertz.

Scan Lines: The lines drawn by an electron gun in a CRT system to make up the picture. Drawn horizontally, from left to right, starting at the top left and working to the bottom right.

SDTV: Standard Definition Television. Lower resolution subset of the ATSC's DTV system. 480i is typically accepted as an SD signal. Digital broadcasters can offer multiple sub-programs at SDTV quality, as opposed to one or two HD programs. Digital satellite and digital cable often refer to the majority of their programs as SDTV, somewhat erroneously, as neither system has anything to do with DTV, though both, technically, consist of a digital 480i signal.

Sensitivity: A measurement (in dB) of the sound-pressure level over a specified frequency range created by a speaker driven by 1 watt (2.83V at 8 ohms) of power with a microphone placed 1 meter away.

Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better.

Soft-Dome Tweeter: A tweeter that uses a soft fabric or plastic dome as the radiating diaphragm.

Soundfield: The total acoustical characteristics of a space, such as ambience; number, timing, and relative level of reflections; ratio of direct to reflected sound; RT-60 time; etc.

Soundstage: The area between two speakers that appears to the listener to be occupied by sonic images. Like a real stage, a soundstage should have width, depth, and height.

Source: A component from which the system's signals originate. DVD player, AM/FM tuners, and VCRs are sources.

Speaker: A component that converts electrical energy into acoustical energy.

Spider: Part of a loudspeaker driver's suspension that helps center the diaphragm and returns it to rest after being moved by an energized voice coil.

SPL: Sound-Pressure Level. Measured in dB.

Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.

Suspension: The elements that hold a loudspeaker driver's moving parts together, allows them to move, and helps return them to rest. Most commonly, these include the flexible surround around the outer rim of the driver and the spider on the underside of the diaphragm. See Spider.

S-VHS: Super VHS. Enhancement to regular VHS that offers improved luminance resolution. (400 lines or so.)

S-Video: See Y/C.

T
Tactile Transducer: A device that turns electrical energy into mechanical energy, usually used to shake the seating in a theater. Effective in providing visceral impact without increasing the system's actual SPL level.

THD: Total Harmonic Distortion

3:2 Pulldown Recognition or 3:2 Inverse Telecine: Film is usually recorded at 24 frames per second. NTSC video (North America) is 30 frames (60 fields) per second. In order to get smooth motion, the film frames are broken into video fields in a 3-2-3 sequence. 3 fields for the first film frame, 2 fields for the second film frame, and so on. If a line doubler doesn't compensate for the extra field during playback on a progressive-scan display, the image will have noticeable motion artifacts. A line doubler with 3:2 pulldown recognition or 3:2 inverse telecine can see this sequence in the signal and correct for it by making sure the last field in the first frame isn't mixed with the first field of the second frame.

THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX Select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman's eXperiment, after the engineer who drafted the original standard, or is named after the company's founder George Lucas' first movie, THX 1138. Nobody agrees on which.

THX Select: Certification program for speakers and receivers that assures a base level of quality and performance when played in a room that's between 2,000 and 3,000 cubic feet.

THX Ultra: Certification program for speakers, receivers, and amplifiers that assures a base level of quality and performance when played in a room that's greater than 3,000 cubic feet.

THX Ultra 2: The newest certification from THX, THX Ultra 2 requires amplification for seven channels, boundary compensation for subwoofers, and stricter requirements for amplifiers and speakers than THX Ultra. Dipole speakers are used for the side surround channels. Monopole speakers are used for the surround back channel and are placed next to each other. The Ultra 2 processor accommodates both 5.1 EX/ES soundtracks, as well as multichannel audio recordings by directing ambient sounds to the dipole speakers and discrete effects/sounds to the back channels.

Transducer: Any device that converts one form of energy into another form of energy, specifically when one of the quantities is electrical. Thus, a loudspeaker converts electrical impulses into sound (mechanical impulses), a microphone converts sound into electrical impulses, a solar cell converts light into electricity, etc.

Transmission Line: A (sub)woofer cabinet design where the driver is mounted at one end of a tube with the same diameter as the radiating area of the driver and a length of 1/4 wavelength of the 3dB down frequency. This "tube" may or may not be round and may be folded to decrease the size of the cabinet.

Tuner: See Receiver.

Tweeter: A speaker driver designed to reproduce high frequencies; usually those over approximately 5,000 to 10,000 Hz.

U
Uniformity: Even distribution across a given space. In video, uniformity can refer to the distribution of light (hot spotting) or color.

Universal Remote: Remote that has the commands of numerous brands stored into memory and can control several different devices simultaneously.

V
VAS: The volume of air that offers the same degree of restoring force on the loudspeaker driver's cone as that of the cone's suspension.

VCR: See Video Cassette Recorder.

VCR Plus: VCR feature that, once programmed, allows the user to input the TV guide code for a given program into the VCR, which then automatically sets itself to record that program.

Vented: See Port or Passive Radiator.

VHS: Vertical Helical Scan (or as JCV calls it, "Video Home System"). Widely used method of recording audio and video electrical signals onto magnetic tape.

Video Cassette Recorder: Device that records audio and video electrical signals onto magnetic tape (aka videotape recorder).

Volt: The unit of electrical potential, or difference in electrical pressure, expressing the difference between two electrical charges.

W
Watt: A unit of power or energy. One horsepower is equal to 745.7 watts.

Word Length: The sampling rate determines how often an analog wave is sampled; the word length determines the resolution of the sample. The larger the word length, the more accurate the sample as a whole. A 16-bit word length (CD) allows 65,536 different level or volume steps that can be chosen for each sample.

WMA: Windows Media Audio. An audio compression format similar to MP3, but with digital rights management (copy protection and usage restrictions) built-in by Microsoft.

Woofer: A speaker driver designed to reproduce low frequencies.

Wow-and-Flutter: A measurement of speed instability in analog equipment usually applied to cassette transports and turntables. Wow is slow-speed variations, and flutter is fast-speed variations. Lower percentages are better.

X
X-over: see crossover.

X-curve: An intentional roll-off in a theatrical system's playback response above ~2kHz at 3dB per octave. A modern convention (standardized between 1975 and 1984) specified in ISO Bulletin 2969, it is measured at the rerecording position in a dubbing stage or two-thirds of the way back in a movie theater. Pink noise should measure flat to 2kHz and then should roll-off above that. Home THX processors add this roll-off, when engaged, so that a home video soundtrack will have the same response as it would in a theatrical setting.

Y
Y/C: Abbreviation for luminance/ chrominance, aka S-video signal. Color and detail signals are kept separate, thus preventing composite video artifacts. Cable uses four-pin connector. Used with S-VHS VCRs, DVD players, Hi-8, and DBS receivers.

Y/Pb/Pr: See component video.

Z
Zone: One or more rooms powered by one or more amplifiers, which are all fed by one source. A home can be divided into multiple zones, which can play multiple sources, even though several rooms (say, the kitchen, dining room, and living room) all play the same source.